Sunday, June 29, 2014
Saturday, June 28, 2014
Two very visual films I loved recently
PANNA A NETVOR/ BEAUTY AND THE BEAST
After seeing Morgiana I wanted more Juraj Herz films in a similar style (a few of his newer films look very different), there aren’t many of his films on English dvd but I found that there was a dvd with no English title on the box but did have English subtitles in the disc: Panna A Netvor (in this disc’s subtitles for the film this is translated as “Virgin And The Beast”, not “Beauty”).
This is a really beautiful film, the actress is very cute but most of the pleasure is from the amazing scenery. The surreal paintings that start the film, a short scene of the woods of bare falling trees but mostly the amazing home of The Beast which is just a messy ruins of a mansion. The lovely gothic mess becomes like a maze in some places and it made me wonder if this was a real derelict place or if it was meticulously designed for the film. There are quite a few nice features in the house which are definitely designed by the filmmakers.
Like Morgiana there is pipe organ music but far more of it here, taking up most of the soundtrack; I can never get enough pipe organ in my life.
My complaints are that the costume is a tad goofy looking (but it isn’t a lion faced beast this time, which is interesting) but the expressive eyes of the beast compensate for that a little. The choices and evolution of the characters’ feelings are not very convincing.
There is a scene in which the beast while riding a horse chases a baby deer and repeatedly nearly tramples it, the deer keeps falling and it looks like this wouldn’t have happened that way with today’s animal protection helpers (but I have been surprised before by films that were completely approved by the animals’ protectors, I can’t judge what is too harsh on the animals).
The soundtrack
repeats the main theme far too often.
I’ve seen clips of
other Juraj Herz films with a similar sense of design but I need to find out
what they are and if I can get them.
I’m excited by the
idea of there being more hidden gems to find of eastern European fantasy and
fairy tale films.
THE STRANGE COLOR OF YOUR BODY’S TEARS
I’m generally not
fond of the idea of nostalgic retro pieces but I’ve found that the majority of
my favourite horror films of recent years have been heavily inspired by or are emulating
older films. To me Amer and Berberian Sound Studio were just as good as the
best Italian horror films. I liked Black Swan too. A Field In England was a
less obvious mixture of influences and it converted me to Ben Wheatley after
being a bit lukewarm on Kill List.
I’ve heard there are
even Jean Rollin and Jess Franco imitators coming out and I’d be interested to
see that too.As well as Amer I loved Cattet/Forzani’s short films, including their contribution to ABCs Of Death (the obvious highlight of the whole film). I was surprised to find this dvd in the shops so early, I thought it would be another 5 months or so before I saw it.
I liked this even more than Amer, it’s totally packed with great shots and more good imagery than a lot of horror directors manage in their entire careers. From looking at reviews by less satisfied people, I see they felt bored by the endless stream of images without clear plot threads but this incoherent nightmare is what I very often hope for in films but too rarely get. The suspense was spread very wide and some of the sequences are really fantastic. My attention was totally eager.
I could see the giallo trend getting a bit old in the future and I have trouble envisioning Cattet/Forzani making a whole career of it, but please keep films with this more visual approach coming.
Labels:
Cattet and Forzani,
Juraj Herz,
RAGreviews
Wednesday, June 25, 2014
The knife
The surgeon and his trusty, somewhat rusty bloodletting knife. A panel from my Jheronimus Bosch comic.
Labels:
Bosch,
comics,
Marcel Ruijters,
middle ages,
Renaissance
Thursday, June 19, 2014
Wednesday, June 18, 2014
Hello Again!
Hello Everyone, I'm glad to see EBD is still alive and kicking after all of these years! First, my deepest apologies for such an extended absence, it's been a hectic life for me lately. Here is a photo of some in progress sculptures that I've been building on commission for a diorama interpretation of part of my Thomas Ligotti "Songs Of A Dead Dreamer" book cover. It is constructed from various wires, paper, tape, fabric, glue, paint, etc. These are the basic shapes that have since been painted to resemble strange monstrous creatures positioned in a 16 x 20 inch half box that reflects the bizarre street scene of the artwork. The wires sticking out of the bottom of the creatures are anchors that will be woven into the floor of the diorama and keep the creatures in place.
Tuesday, June 17, 2014
God does not play dice but maybe Satan does
A quick sketch of medieval gamblers. A common theme in art as the church, its main commissioner at the time, warned against gambling, because, well, you shouldn't.
Labels:
Bosch,
comics,
Marcel Ruijters,
middle ages,
sketchbook,
sketches
Dwarsligger
Na een stille dood is het fanzine Dwarsligger! weer herrezen om een papieren tijger te zijn. Het eerste nummer na 17 jaar verhaalt, verdicht en verbeeldt hersenspinsels en gevoelens rondom verzet.
Bijdrages van GX Jupitter Larsen (USA), Al Conroy (CAN) , Art69Brut (DE/NL), Marcel Herms, PJ Roggeband, Joke Kaviaar, Harry Zevenbergen, Timo de la Mar, Boris Mamedova en Jan Kees Helms.
Het blad is te koop voor kostprijs. Maak drie euro over via PayPal naar deeez@antenna.nl
After a quiet deaththe fanzine Dwarsligger! is resurrected to be a paper tiger again.
The first issue after 17 years with contributions by GX Jupitter Larsen (USA), Al Conroy (CAN), Art69Brut (DE / EN), Marcel Herms, PJ Roggeband, Joke Caviar, Harry Zevenbergen, Timo de la Mar, Boris Mamedova and Jan Kees Helms.
The magazine is on sale for cost. Send three euros via PayPal to deeez@antenna.nl
After a quiet deaththe fanzine Dwarsligger! is resurrected to be a paper tiger again.
The first issue after 17 years with contributions by GX Jupitter Larsen (USA), Al Conroy (CAN), Art69Brut (DE / EN), Marcel Herms, PJ Roggeband, Joke Caviar, Harry Zevenbergen, Timo de la Mar, Boris Mamedova and Jan Kees Helms.
The magazine is on sale for cost. Send three euros via PayPal to deeez@antenna.nl
Saturday, June 14, 2014
City of love
hello freaks
haven't post for a while... i'm in a "not finishing that shit" + "too much delayed work" period so nothing good came out
i did this linocut on A2 plate, voilà
preparing for Crack! fest in Roma, once again, wish this will give me some energy! ciao
PS : City of love is reference to Ljubljana, goes for any central europe cities
haven't post for a while... i'm in a "not finishing that shit" + "too much delayed work" period so nothing good came out
i did this linocut on A2 plate, voilà
preparing for Crack! fest in Roma, once again, wish this will give me some energy! ciao
PS : City of love is reference to Ljubljana, goes for any central europe cities
Thursday, June 12, 2014
INSIDE artzine #17 - International Artscum Magazine
For your information. I have nothing to do with it (at least not with this issue) but I think some of you might be interested.
INSIDE artzine #17 - International Artscum Magazine
Paintings, Digital Collages, Sculptures, Photos, Stories, Reviews.
This time with scum from Europe, USA, Japan, Russia, Brazil, Taiwan, Indonesia, Outer Space.
Paper-Magazine, Format: A4, Pages: 48, Language: English
This time with scum from Europe, USA, Japan, Russia, Brazil, Taiwan, Indonesia, Outer Space.
Paper-Magazine, Format: A4, Pages: 48, Language: English
Karl-Johan Utte Thole (Sweden) · Bahrull Marta (Indonesia) · Stéphane Roy (France) · Yukaman (Japan) · Jenz Dieckmann (Germany)
Viron v2.0 (Italy) · autoreversegraphikart (France) · Marcelo Vasco (Brazil) · Richard Kirk (USA) · Joseph D. Myers (USA) · Shichigoro Shingo (Japan) · Urs Böke (Germany) · Ezo Renier (Russia) · Ricardo Sleiman (United Kingdom) · Sven-André Dreyer (Germany) · Michael Hutter (Germany) · Marcin Owczarek (Poland) · Patrick Amarillas (USA) · Saskia Prüss (Germany) · Matt Lombard (USA) · Olexa Mann (Ukraine) · Leon Wong (Taiwan) · Kai Kraus (Germany) · Victor Slepushkin (Russia) · Seth Siro Anton (Greece) · Patrice Hubert (France), "Don't mess around with Satan" - Gonzo-Interview with Marcelo Vasco, "Art After Death" - Report Part 2, Reviews & Revolution, Links & Lies.
Previews: http://www.inside-artzine.de/
Viron v2.0 (Italy) · autoreversegraphikart (France) · Marcelo Vasco (Brazil) · Richard Kirk (USA) · Joseph D. Myers (USA) · Shichigoro Shingo (Japan) · Urs Böke (Germany) · Ezo Renier (Russia) · Ricardo Sleiman (United Kingdom) · Sven-André Dreyer (Germany) · Michael Hutter (Germany) · Marcin Owczarek (Poland) · Patrick Amarillas (USA) · Saskia Prüss (Germany) · Matt Lombard (USA) · Olexa Mann (Ukraine) · Leon Wong (Taiwan) · Kai Kraus (Germany) · Victor Slepushkin (Russia) · Seth Siro Anton (Greece) · Patrice Hubert (France), "Don't mess around with Satan" - Gonzo-Interview with Marcelo Vasco, "Art After Death" - Report Part 2, Reviews & Revolution, Links & Lies.
Previews: http://www.inside-artzine.de/
More: http://www.facebook.com/ insideartzine
Buy online: http://artscum.org/category/ shop/shop-inside-artzine/
More stuff like this: http://www.artscum.org/ Artblog of the Grotesque
Buy online: http://artscum.org/category/
More stuff like this: http://www.artscum.org/ Artblog of the Grotesque
Wednesday, June 11, 2014
BAD ARTWORKS
THE MAN WHO IS GIVING A BIRTH. 2014. Acrylic paint on canvas, 90cm x 90cm.
I CAN'T SEE. 2014. Acrylic paint on canvas, 90cm x 90cm.
HANGED. 2014. Acrylic paint on canvas, 90cm x 90cm.
www.shaltmira.com
www.shaltmira.com
Tuesday, June 10, 2014
Atlantids
An oldie from 1999. Black & white ink on photocopied zip-a-tone, reworked in Photoshop. This was never published, but these were supposed to be the Troglodytes' former masters from my Troglodytes series (1999-2007).
The moire effects are carefully doctored. I used to do that a lot, until all copymachines became digital, which ruined the results. Later, the same thing happened when my books were printed digitally. Thank you, digital revolution.
The moire effects are carefully doctored. I used to do that a lot, until all copymachines became digital, which ruined the results. Later, the same thing happened when my books were printed digitally. Thank you, digital revolution.
Labels:
Marcel Ruijters,
old school,
Troglodytes
Thursday, June 05, 2014
Cut-throat society
Some sketches after Bosch's Haywain, Visions of the Afterlife and Judgement Day plus one hellish scene by one of his followers. Not just stonecutting but also a lot of throat-cutting going on in his work! Not regarding the floating giant knives.
Labels:
Bosch,
hell,
Marcel Ruijters,
sketchbook,
sketches
Wednesday, June 04, 2014
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