Friday, March 06, 2009
Spot The Duck
*He bought me ANOTHER soda and he tried to molest me in the SAME parking
lot AGAIN*
Published by Paul O'Connell and available from here: Sound of Drowning.
Thursday, March 05, 2009
Skull Bot
I started drawing these Skull Bots back in 2001. I suppose my idea was about an invading horde of reanimated necro bio-mechs constructed and driven by who knows what. I wanted to keep them kinda scratchy and crude. And I used cheap paints and such. The newer ones turned out a slightly more refined and rendered than initially intended. I kinda like this one…
Tuesday, March 03, 2009
Sunday, March 01, 2009
Saturday, February 28, 2009
Paper Kills Trees cover experiment
This is a possible cover for a new art magazine called "Paper Kills Trees". I'm not sure about it yet... i did some stuff that's experimental (for me) with the color & non-black lines & stuff. I felt like i was hallucinating & in another dimension while i was working on it late last night, listening to the commentary on Jesus Christ Superstar.
Floating City Above Rotten Landscape
The album won't be out for a few months yet but details will appear on the band's page at the label here and their Myspace page.
The concept of the image was given to me by band member Jonathan Dennison and I just went crazy with it until I ended up with the image seen above.
I fell in love with the power of the stark contrasts possible in black and white imagery but color is something I'm really starting to find interesting. I began fine tuning a unique process of colorization that while very time consuming, allows me to approach the color effects in a painterly fashion. I'm really happy with the glowing toxic warm colors of the tumor like worm things on the ground.
Thursday, February 26, 2009
ADVERTISEMENT! NEW ISSUE OF PIPU!
A new issue of Pipu! Pipu's Detective Agency. The pirate Charlton Barnacle's girlfriend the mermaid has gone missing & Pipu is the only one who can solve the mystery! WHAT THE HELL HAPPENED? You can order yours now for $2 (usa only). Color cover & interior pages are printed in exciting single (non-black) colors like those old phonebook manga. 20 pages. 5.5" x 4.25"

Wednesday, February 25, 2009
Monday, February 23, 2009
Oil pastel drawings.
Boris Lurie, Leader of a Confrontational Art Movement, Dies at 83
I came across this article.
Here are a few quotes from it:
"Mr. Lurie was born in Leningrad in 1924 but soon after moved with his family to Latvia. During World War II he was imprisoned in a succession of concentration camps, absorbing graphic images that would resurface decades later in etchings, paintings and collages. "
"The artists gave a name to their movement, No! Art, the following year, when they staged a show at the Gallery Gertrude Stein in Manhattan. That work was meant to be a rebellion against Abstract Expressionism and Pop Art as well as a protest against dehumanizing influences like fascism, racism and imperialism."
“They were saying no to a world that was saying yes, buy more, spend more,” said Ms. Stein, the gallery owner. “It was retaliation against the consumerism of the post-Second World War boom.”
"A 1962 etching by Mr. Lurie, for instance, combined a swastika and a Star of David. A 1959 work, “Railroad Collage,” superimposed an image of a partly dressed woman over another image of corpses stacked on a flatbed rail car."

Here are a few quotes from it:
"Mr. Lurie was born in Leningrad in 1924 but soon after moved with his family to Latvia. During World War II he was imprisoned in a succession of concentration camps, absorbing graphic images that would resurface decades later in etchings, paintings and collages. "
"The artists gave a name to their movement, No! Art, the following year, when they staged a show at the Gallery Gertrude Stein in Manhattan. That work was meant to be a rebellion against Abstract Expressionism and Pop Art as well as a protest against dehumanizing influences like fascism, racism and imperialism."
“They were saying no to a world that was saying yes, buy more, spend more,” said Ms. Stein, the gallery owner. “It was retaliation against the consumerism of the post-Second World War boom.”
"A 1962 etching by Mr. Lurie, for instance, combined a swastika and a Star of David. A 1959 work, “Railroad Collage,” superimposed an image of a partly dressed woman over another image of corpses stacked on a flatbed rail car."

Sunday, February 22, 2009
Give your ears a treat....
I love this blog, no idea who the people behind it are or where they find all these obscure wonders but damn it's ace, check it out!
Mutant Sounds
Mutant Sounds
Saturday, February 21, 2009
Doll
My Uzi Weighs a Ton
From UZI REPTOID


In addition, i've been watching some old He-Man cartoons & really loving their awesome animation cycles. Great movement & great energy from them. It's definitely a factory of cartoons with not a lot of creative animation, but the whole Filmation style is amazingly put together. As a reader of John K's blog, he's always ragging on the Filmation & Hanna Barbara models of animation, which is understandable, because he has a very clear way he wants to put together cartoons & is a bossy sonofabitch who needs to run his own studio, but at the same time, there's something really amazing & insane about the sheer volume of cartoons that these guys put out, & if you're talking about entertainment dollar, both studios did it right. It's something i plan on emulating in the future. Plus, who else has put out various sci-fi barbarian cartoons? Hmmmm?
He-Man
Blackstar
Tarzan
Flash Gordon
Thundarr the Barbarian (Hannah Barbara)
In addition, i've been watching some old He-Man cartoons & really loving their awesome animation cycles. Great movement & great energy from them. It's definitely a factory of cartoons with not a lot of creative animation, but the whole Filmation style is amazingly put together. As a reader of John K's blog, he's always ragging on the Filmation & Hanna Barbara models of animation, which is understandable, because he has a very clear way he wants to put together cartoons & is a bossy sonofabitch who needs to run his own studio, but at the same time, there's something really amazing & insane about the sheer volume of cartoons that these guys put out, & if you're talking about entertainment dollar, both studios did it right. It's something i plan on emulating in the future. Plus, who else has put out various sci-fi barbarian cartoons? Hmmmm?
He-Man
Blackstar
Tarzan
Flash Gordon
Thundarr the Barbarian (Hannah Barbara)
Some sketchy goodness

Just a page from yesterday in my sketchbook. I have ten pages from the journal in an anthology that we are publishing locally that looks to be very promising. We are having a release party the second Friday of March. I will have some info on where to get them if anyone wants. I was walking to work yesterday and I imagined theeyes with the blocks in them that you see here. I am experimenting with comics without panels that look just like what you see (minus the notes about the poster info).
Cute Butchery for Glory Hole
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Labels:
comics,
Glory Hole,
Saguiine,
zines
Friday, February 20, 2009
fleshies- "gung ho!"

this is the front cover i made for the american punkband fleshies & their "gung ho!"-cd compilation from 2004. it's released on the "life is abuse"-label.
Labels:
crippaXXXalmqvist,
fleshies,
gung ho,
life is abuse
even more pics from wet nightmare!
so, here's now some more pics from the zeke-curated "wet nightmare"-exhib there in fold gallery, london 2 weeks ago. there's even some pics of the stuff that i now put up on the walls, mostly being collaborations with 10 other cartoonists from all around europe, for my work in progress "S/M-chic(k) with a foot in her mouth"-project!
Labels:
crippaXXXalmqvist,
fold gallery,
S/M-chic(k),
wet nightmare
Thursday, February 19, 2009
Thawing Out
These are a few I've done over the past few months. I like them, but in my mind they have a sort of depressive quality that contrasts with my more meticulous approach. They were drawn in the dark, harsh winter on Minnesota, a decidedly depressing experience. I started a drawing zine called TOMB over the winter ( not done yet!) if that gives you a clue. It's a schism that makes life interesting right now in terms of drawing; I feel pretty out of control while drawing these types of drawings. I don't plan them at all. Maybe light pencil here and there. Sometimes I really like that feeling, but at the same time I really like the feeling of drawing in a more meticulous way, where you feel as though you're carefully crafting. You can pick up where you left off and grow it and build it. It feels like an affirmation of self and life in general, in a way, while these feel like a kind of desperate, fleeting moment in ink, or an acknowledgment of feelings of futility ( but in a good way.).
Not sure if I buy into any kind of astrology or anything, but my innate desire to balance things out is reflected in the concept of the LIBRA. There is always something that needs to be rectified . And right now, as I try to figure out what images to submit to interested editors and other people for various projects, it's the fight between control/craft and raw/emotion.
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