Page 4 (out of 4) of my contribution to Tintina and the Bilderberg Shitbox, remixed for a different purpose. It's kind of fun to 'remix' your work like that, as if to leave it to readers to figure out what was the real story and what the fake news. Musicians do it. And painters in the premodern age did it. (causing a major headache for art historians) It is also a theme: often, my characters clash over their worldviews. No-one knows the complete truth. They fall for myths and half-truths. It makes them more human (as bizar they might look). A hero who knows everything and does everything right, is boring anyway.
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