Tuesday, January 27, 2015

Medieval speech bubbles!


I would like to bring to your attention a very funny and interesting entry on historian Erik Kwakkel's blog (in English) on the use of speech bubbles and other comic-like means of visualising speech in medieval manuscripts. He's always good, but it doesn't come more comic-y than this.

Wednesday, January 21, 2015

R.I.P. Peter Pontiac

The year 2015 had already started in a cruel way with the assault on the creators of Charlie Hebdo. We all heard about that ad nauseam.

Today, the sad news came of the death of Peter Pontiac, Holland's foremost underground comics artist. He was 63. Unfortunately, not much of Peter Pontiac's outstanding graphic work has been translated into English, so he may not be a household name, but he is to Holland what R. Crumb is to the US. (He was a kind and very modest man who would have objected to that comparison, for sure!)


Gaga & Gigi, iconic punk characters of the 1980s.


His work has always been rooted in rock 'n roll and punk.


In 2000, his graphic novel Kraut was published. It's a haunting tale about his father's shady war past and even shadier disappearance. Its flowery language combined with intricate hand-lettering proved quite difficult to translate, so it hasn't gotten the English edition it deserves, yet.


You can find some background information here. Peter Pontiac never made a secret of his drug use during the 70s and 80s. It eventually caught up with him and destroyed his liver. He regretted it as a big waste of time and was working hard to finish what he envisioned as his last book: STYX, about death. When i  last met him, a few months back, he was fairly optimistic about its progress, but it was not to be. Alas!





Sunday, January 11, 2015

Some recent stuff


dildo faced mask hook guy overcome by the reasons

Saturday, January 10, 2015

Pieces in progress








 
I previously didn't want to do work in progress scans because (1) it might take the impact away from the final image (2) the final image might be a disappointment to those who felt the sketch showed more promise, particularly since I'll be coloring some of these and I'm not that confident about my paint skills yet but it really needs to happen (3) I'm worried I'll get lazier if the gist of the image is already there for everyone to see, that'll I'll maybe feel more complacent about finishing; sometimes I talked about drawing castles so much that I forget I haven't actually done that many finished pictures with castles.
On the other hand (1) maybe this will be a good thing that takes the pressure off a little, maybe I'll draw more because a certain stage of these drawings are saved and I don't have to worry about the images being completely destroyed in an accident before they are seen in any form, because some of these take a very long time even if I was drawing as regularly as I should (2) I think a few of these are going to be my best work and maybe being too precious about the impact they make when they're finished will steal away from future efforts, as if I'm putting them on too high a pedestal when I should think about always going onto better things all the time.
 
 There are way more unfinished drawings but most of them are even more vague than these.

Monday, January 05, 2015

water from the well for you to drink


Father didn't bring water from the well for you to drink.
Mother didn't bring water from the well for you to drink.
You stupid orphan.

Shaltmira, 2014. 148 x 210 mm paper, rapidographs, ink.

Friday, January 02, 2015

Hieronymus Bosch meets the lumpenproletariat


Much has been said about Bosch being very rich and therefore he could paint whatever he wanted, but this is nonsense. In those times, artists worked on assignments only. And success did not come overnight for Bosch. Only after around 1500, he became an international household name. But even then, it remains unclear how much he was paid for his assignments. I suspect that it may not have been as much as superstar painters like Van der Weyden or Cranach the Elder. What we do know, is that he belonged to the class that paid the most taxes in his city. A telling fact is that he left no money after his death.

By our standards, the life of the rich was not that great, so that of the poor must have been, well, shit.

The resemblance of this composition with that of Martin Schoengauer's Saint Anthony is damn intentional.


Sunday, December 28, 2014

New Stuff

Hey everyone.  I finally got a new scanner so I'm going to start putting up some of this new stuff on my Flickr


Friday, December 19, 2014

Albin Brunovsky paintings





In 2009 I posted several Brunovsky images in among a lot of other blathering . Since then his art has spread around the internet much much more and I'd like to think I made some contribution to that. But next to none of his painting was online and you'd think maybe that was because his painting was inferior but it obviously isn't.
 In the time since I bought Complete Graphic Work he's become one of my main guiding lights, I can't think of anyone I rate higher, it's an astonishing book with hundreds of images. It's expensive but it's not even vaguely close to a rip off, it's absolutely packed.
 I hoped a book of his painting would come out someday and I just became aware earlier this year of such a book. In the introduction it says it simply wasn't possible to be as completist with the paintings as they were with the graphic work but there's still so much there, many of the paintings are amazing variations of the graphic works but there's quite a bunch of complete originals too.
Buy both Painting Work and Complete Graphic Work here.

Tuesday, December 16, 2014

LALUZAPALOOZA 2015

LALUZAPALOOZA 2015
OUR 29TH ANNUAL GROUP SHOW

March 6 – 29, 2015
Opening Reception: Friday, March 6th, 8-11 PM
La Luz De Jesus Gallery proudly presents our annual juried group exhibition, LALUZAPALOOZA. This gigantic, no-theme show features works from some of the freshest and most relevant artists working today. Last year we sorted through 16,000 submissions from commercial illustrators, graphic designers, tattooists, scenics, students, street taggers, animators and working gallery artists.  How many will we see this year? Past shows have featured as many as 330 pieces and as few as 100, making this the most exclusive selection of tastefully, jam-packed, salon-style exhibited works in Post-Pop. There will be some familiar names from our ever-growing roster of feature artists, but an overwhelming percentage of the work this year will come from a brand new batch of previously undiscovered, emerging talent. Will you be among them?

SUBMISSION PROTOCOL

We have recently revised our submission policy. Read the following carefully before submitting.
La Luz de Jesus Gallery reviews submissions from October 1st to December 31st only, in consideration for our annual group show.
Size restrictions apply: only pieces under 24″ on largest side will be considered. Artists not located locally will be responsible for the cost of returning their own work. No glass will be accepted on any piece that requires shipping. All art must have its own hanging or standing mechanism. Paintings must be wired or cleated.
If you wish to submit work for consideration, you must follow these guidelines and those below. Submissions that do not follow the guidelines will not be considered.
We showcase mainly figurative, narrative paintings and unusual sculpture. Our focus is not abstract expressionism and we are not accepting submissions of video or digital art, photography, edition printing or conceptual installations.
Also, please be aware that because of the large volume of unsolicited submissions we receive, we cannot, and will not, personally respond or offer you a review of your materials.

VIA EMAIL

Artists may submit 3-8 low resolution (72 ppi, 760 pixels on the largest side), unzipped jpegs.
File names must be saved in this format: LastName_Title-of-Artwork.jpg
Indicate within the body of the email the following info for each work:
Your Name
“The Title”
Medium (Oil on canvas, etc)
Dimension Width” x Height” (x Depth” -if applicable)
Framed dimension Width” x Height” (x Depth” -if applicable)
$ Retail price range
Include this info within the body of the email, NOT AS AN ATTACHMENT. Also include your complete contact information (your name, mailing address, phone number, email and website address).
These submissions may be sent to: info@laluzdejesus.com with “Group Show Submission” in the subject line. It is not necessary to send a follow up email. We will get in touch with you only if we are interested.
Email submissions that do not follow this format will not be reviewed.”

THE HISTORY

Previously our annual group show was called “Everything but the Kitschen Sync,” but it began life in October 1986 as the “Día de los Muertos” show which was entirely focused on the folk art, sculptures and imagery of Mexico’s “Day of the Dead” celebration. By 1995, gallery owner and curator Billy Shire felt the show had run its course and presented other themed group exhibitions such as the 1996 “21st Century Tiki Show.” In 1998 Shire decided to present a non-themed show dedicated to illustrative and narrative artwork. As many local artists work in commercial graphic art fields such as illustration, cartooning, animation, etc., the show was named “Uncommercial Art by Commercial Artists.” In 2004, Shire changed the show title to the more encompassing and less-cumbersome “Everything But the Kitschen Synch.” Several spelling and name variations later, here we are…
“Everyone looks at this show for new and interesting artists” states Shire – “and indeed, not only does La Luz de Jesus pick artists from the group show for smaller group and solo shows down the line–numerous curators and owners of other galleries also keep their eyes on the yearly show for potential artists to add to their rosters.”
“This is the one show annually that most patrons look forward to seeing, as it’s a chance to discover new artists in the venue that has launched so many careers,” notes gallery director Matt Kennedy. “Every year we manage to discover a new conglomeration of fresh talent, and among them a class of breakout successes. That’s really a credit to the accessible talent pool. The quality and availability of instruction (both in schools and through independent study) coupled with the the culture that this city attracts, fosters a welcoming environment for people with the ability to create –often in reaction to their individual situations.”
Join La Luz de Jesus Gallery as we continue to support the latest and most original efforts from the world’s alternative art scene.
Contact the gallery director for availability and purchase info: (323) 666-7667

Sunday, December 14, 2014

Arthur Machen collection at risk

 This will only take a few minutes, it's very simple.
http://wormwoodiana.blogspot.co.uk/2014/12/arthur-machen-collection-at-risk.html

 I've got some images by another artist to scan in soon, amazing stuff.

 This might be the first year of my life when I haven't done one properly finished image. I've no excuses.

Thursday, December 11, 2014

A cosy tavern in full colour




A panel from my comic on Hieronymus Bosch (from chapter 4) which i had posted before in its earlier stages. The palet is a lot warmer than what i prefer to use in general, so it was a difficult colouring job. 

Wednesday, December 10, 2014

Winter masquerade



"Winter masquerade", Shaltmira, 2014
A4, paper, Faber - Castell rapitographs. 12 hours
https://www.facebook.com/Shaltmira.ART
www.shaltmira.com

Up the nose

A random sketch.


Monday, December 08, 2014

burr dden




Hey everyone, I still haven't been able to get scans of the new stuff I'm working on but I post work in progress shots over on my instagram: http://instagram.com/creepmansion

cigogne


Tuesday, December 02, 2014

Monday, December 01, 2014